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All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli St Augustine in his Study (mk36) oil painting reproduction


St Augustine in his Study (mk36)
c.1480 Detached fresco,Florence,Ognissanti
new8/Sandro Botticelli-473738.jpgPainting ID::  25001
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli St Augustine in his Study (mk36) oil painting reproduction


St Augustine in his Study (mk36)
c.1480 Detail of the Vespucci coat-of-arms Florence,Ognissanti
new8/Sandro Botticelli-398447.jpgPainting ID::  25004
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli St Augustine in his Study (mk36) oil painting reproduction


St Augustine in his Study (mk36)
c.1480 Detail of the armillary sphere Florence,Ognissanti
new8/Sandro Botticelli-947253.jpgPainting ID::  25006
 

 
 
   
      

All Sandro Botticelli Oil Paintings
 
 
Sandro Botticelli St Augustine in his Study (mk36) oil painting reproduction


St Augustine in his Study (mk36)
1490-1495 Florence,Galleria degli Uffizi
new8/Sandro Botticelli-579752.jpgPainting ID::  25128
 

 
 
   
      
Sandro Botticelli
  
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
St Augustine in his Study (mk36)
1490-1495 Florence,Galleria degli Uffizi

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